Helen Bowell: Young Critics Scheme – 18-25 year olds review the T. S. Eliot Prize 2022 Shortlist

“Taking part in the Young Critics Scheme has helped me to try things I’ve never done before: recording and editing audio as well as filming within a time limit using the basics I already have at home. The world of reviewing feels more accessible to me than ever, like a potential career avenue.” – Young Critic Holly Moberley

At The Poetry Society, we do a lot to encourage young people to write poetry – from the Foyle Young Poets of the Year Award for 11-17s, to Young Poets Network’s year-round writing challenges, and Poets in Schools inspiring children and teens in classrooms across the UK. But we know that reading poetry can be just as life-changing as writing it. So when the new Director of the T. S. Eliot Prize, Mike Sims, asked whether we could run a project for young people together, we thought about poetry criticism.

There have been many schemes to support emerging poetry reviewers over the years, from the Ledbury Poetry Critics to the Forward/emagazine Creative Critics competition. Ours had a few new spins: ten 18-25 year olds in the UK and Ireland would participate in online workshops, build a community, and create short videos reviewing each of the books shortlisted for the 2022 T. S. Eliot Prize.

We hoped the scheme would enable these young writers to be a part of the critical conversation around these books, catch the attention of readers online, and gain the skills, confidence and network to continue reviewing beyond the scheme.

From sixty impressive applicants, we selected our ten brilliant Young Critics. In online workshops, they explored what excited them about and alienated them from reviews, considered presenting their critical opinions to camera, and formed a community of engaged young writers. Critic BookTuber Jen Campbell gave a guest workshop and we published two features on Young Poets Network for anyone to use: a guide on how to write a poetry review, and an article with top tips from fifteen leading critics.

And when the critics sent in their video reviews, we were totally blown away. Every one gave an insightful and personal response to each book, looking at both the minute details of word choices and the large-scale structural and thematic decisions. Two of the Young Critics (SZ Shao and Holly Moberley) even played creatively with video footage to illustrate their reviews.

We released the videos ahead of the T. S. Eliot Prize Readings, and excerpted them for social media. Altogether the films were played more than 25,000 times. It was especially lovely to see established critics like the Telegraph’s Tristram Fane Saunders and prize-winning writer April Yee shouting about the videos, and even some of the shortlisted poets themselves, too.

Since the scheme, we’ve been supporting the Young Critics further – one of them will have a review published in an upcoming issue of The Poetry Review, and Poetry London’s Reviews Editor is in touch too. Over half of the Critics told us they’re already working on their next reviewing project, so keep your eyes peeled for what they do next.

You can watch all the videos here:

If you’re a young person or a teacher looking for tips on how to review poetry books, performances, films (etc!), check out the guide we published and start by considering these questions, as the Young Critics did in their first workshop:

  • What is your favourite thing about this text? Why?
  • What is this book trying to do? Answer a question? Further a conversation? Tell a story? How far does it succeed?
  • Who is the audience of your review? How does that change your review? How would you talk to a friend about this text? And a stranger?
  • What else do you need to research before you start writing your review, such as the history, culture, experiences or poetic forms explored?

Find out more about the Young Critics Scheme here.

Helen Bowell is an Education Officer at The Poetry Society. She is also a Ledbury Poetry Critic, a co-director of Dead [Women] Poets Society and the author of The Barman (Bad Betty Press, 2022), which was a Poetry Book Society Pamphlet Choice.

Helen Bowell: Celebrating LGBT+ History Month With Poetry

February is LGBT+ History Month in the UK, an annual moment to reflect on the history of lesbian, gay, bisexual, trans, intersex, ace, questioning and queer people. (If you’re not sure of what any of those terms mean, why not find out now?). So I thought it would be a good moment to share some LGBT+ children’s poetry suggestions for teachers, parents and curious readers.

Why mark LGBT+ History Month through children’s poetry?

According to Stonewall, half of LGBT+ children are bullied at school. By openly talking and reading about LGBT+ lives, we can normalise a variety of gender identities, families and sexualities, and let those children know that whoever they are is okay. LGBT+ History Month offers the lifelines of community – of knowing they’re not alone – and history. And it’s helpful for us all to remember that, though people haven’t always had the language to describe themselves as such, LGBT+ people have always existed. Some of our greatest poets, from Sappho to Rumi, William Shakespeare to Wilfred Owen, wrote about loving people of the same gender as them.

If you’re not sure where to begin with LGBT+ authors, poetry is a great route in. Poems are short, so you can hear from a diverse range of perspectives in a single lesson. Why not read a poem a day throughout this month, or throughout June for Pride?

Suggested poems

NB: these aren’t strictly children’s poems – but they don’t contain strong language or graphic/triggering imagery of any kind and can be shared with anyone of any age.

Suggested books

  • Age 5+: Wain by Rachel Plummer re-tells Scottish folklore in a beautifully illustrated book that make the queer subtext the text.
  • Age 10+: Rising Stars isa children’s anthology of marginalised voices including work by Victoria Adukwei Bulley, Ruth Awolola, Abigail Cook, Jay Hulme and Amina Jama.
  • Aged 13+ PROUD is a YA anthology of short stories, poems and art about pride. Find teaching resources based on it here.

Suggested writing activities

  • Using whatever magazines and newspapers you have lying around, create found poems, erasing any gender stereotypes (etc.). Make them into zines and hold an exhibition!
  • Gender Swapped Fairy Tales simply swaps the genders in fairy tales. Can you write poems that do the same? What surprises occur when the gender changes but the story stays the same?
  • More writing prompts here.

Suggested resources

The Poetry Society’s resources

Happy LGBT+ History Month!

Helen Bowell

Helen Bowell is one of The Poetry Society’s Education Officers, and runs both Young Poets Network and Poets in Schools. In her spare time, she is a co-director of Dead [Women] Poets Society, resurrecting women writers of the past, and a poet published by Bad Betty Press.

Helen Bowell: 10 Years of Young Poets Network & Beyond

10 Years of Young Poets Network & Beyond

Cesare de Giglio for The Poetry Society

The Poetry Society’s Foyle Young Poets of the Year Award is the world’s biggest competition for 11-17 year old poets in the world, and it’s changed hundreds of lives – including mine! After I was commended in the competition as a teenager, I got to meet other young writers at the Foyle Young Poets winners’ ceremony, take part in a young people’s reading at The Poetry Café, and even interview Imtiaz Dharker the day before sitting an English GCSE exam. Those encouraging initial experiences with poetry are partly why I am a poet today, and why I work for The Poetry Society, championing its programmes for young people.

Nowadays, I run Young Poets Network (YPN), The Poetry Society’s free online platform for writers aged 25 and younger worldwide. We run regular writing ‘challenges’ and publish the winners’ work, and help young people to discover new authors, techniques and ideas for writing. We also keep an up-to-date Poetry Opportunities page for young poets. And by publishing young people’s work and running events and workshops, we do our best to foster a global community.

Cesare de Giglio for The Poetry Society

In April 2021, we celebrated Young Poets Network’s tenth anniversary. In the midst of the pandemic, working on these celebrations was so uplifting. Since 2011, YPN has been visited over two million times, and received poems from young people in every single county in England and 88 countries worldwide, from Cyprus to Hong Kong, Mauritius to North Sudan. We’ve published 813 poems and five special edition anthologies, and sent young people to perform at the House of Lords, the National Maritime Museum, UniSlam, professional recording studios and to explore the Bloodaxe Archives in Newcastle. If you’d like a cheering read, you can browse the fond memories and generous reflections of a number of Young Poets Networkers who have grown, gained self-belief and found their tribe with us over the past decade. Here’s what one of those young people, Ellora Sutton, says: “What does YPN mean to me? Friendship. Encouragement. Warmth. Opportunities. And, of course, poetry. I will never not be grateful for it.”

Though I got into poetry as a teenager, there’s no lower age limit for Young Poets Network. Some of the most brilliant poems we receive are by children under 10 who manage to see the world more clearly than the rest of us. A 2019 challenge inspired by the 50th anniversary of the moon landings attracted hundreds of entries; and two of the nine winning poets were young children. Sophie Orman’s poem ‘Moon Watching’ was written when she was 7, and Max Dixon (whose poem ‘Christmas Moon’ won third prize) was just 6 at the time. I love receiving poems by young children, and I hope that as parents, teachers and poets you’ll find our resources helpful in inspiring people of all ages to write.

As I am now officially no longer a ‘young poet’, where possible, I invite young writers to write for the website. Every August, we commission four Foyle Young Poets to set writing challenges, keeping people busy over the summer holidays. This year, Sinéad O’Reilly, Mukisa Verrall, Euan Sinclair and Anisha Minocha will be challenging young people to explore conversations, the absurd, objects and letter-writing. You can check out their resources and submit by 12 September 2021, and join our worldwide community as it embarks on its second decade.

Find the latest Young Poets Network challenges here.

Helen Bowell

Helen Bowell is The Poetry Society’s Education Co-ordinator, and runs both Young Poets Network and Poets in Schools. In her spare time, she is a co-director of Dead [Women] Poets Society, resurrecting women writers of the past.

Poets in Schools During a Pandemic

Poets in Schools During a Pandemic

Here at The Poetry Society, we have been placing poets in schools for over 50 years. And never once did we think to prepare for a global pandemic.

When the UK went into lockdown in March, schools were forced to cancel their Poets in Schools bookings. There was nothing either schools or poets could do about it, but it marked the start of a significant loss of income for freelancers who depended on working in schools.

So the Education Team hurriedly donned their sparkly thinking caps. We were able to pay the five poets who had last-minute cancellations what they would have earned, commissioning new resources to help teachers keep teaching poetry from home. Joseph Coelho had great suggestions for poetic forms and Michelle Madsen helped us to imagine ourselves elsewhere, while Joelle Taylor addressed the Covid-19 pandemic directly. One teacher even asked us for a volcanic poetry resource, and Justin Coe provided!

These resources kick-started what would become a major project for us in the Spring and Summer terms – our new Learning from Home section, chock-full of responsive lesson plans, writing prompts and reading suggestions. We asked teachers what they wanted from us, and did our best to provide it, putting together ideas for addressing racism and mental health through poetry, and directing them to the wealth of resources that already existed on Poetryclass.

Meanwhile, we surveyed poets we’d sent into schools in the last two years, asking them what they felt safe doing and about their ideas for digital versions of Poets in Schools. PiS regular Cheryl Moskowitz had been independently visiting schools all through lockdown to put together The Corona Collectionand was helping to steer our thinking. Cheryl also wrote us some ace notes for teachers on how poetry can help students process the pandemic.

By the summer, we were finding that less than a fifth of teachers wanted a Poets in Schools visit that looked exactly as in the past. Poets were agreed that the pandemic presented a chance to do things differently, and that a digital ‘visit’ to a school could be as valuable as an in-person day of workshops and performances. Mandy Coe pointed out that there was fun to be had with the tech, like being carried around a classroom on an iPad, and many poets were already running online workshops for families.

One of our highlights of the summer was Zooming with twenty-odd wonderful Poets in Schools to share questions and findings, and work on creative solutions together. As a result of that consultation, we put together some guidance for poet facilitators in the time of coronavirus, shared some updated safeguarding notes, amended our terms of agreement to include digital visits and made sure to ask important Covid/software related questions at point of enquiry.

Digital workshops and performances are, of course, not perfect. It can be harder to excite students and make sure nobody’s left out when the poet’s not physically in the room, and we know there is disparity in access to technology, both among students and schools. But there are advantages, too –we can now beam in poets to rural schools without adding a big train fare to the bill, and save the poet an early start. There are creative solutions to be had, and we are excited to discover more.

We are very lucky to work with brilliant poet educators who are passionate about inspiring young people. They have been able to adapt to and even embrace the changing circumstances in ways we could never have predicted. As for us at The Poetry Society – we will keep supporting poets and schools, and championing poetry, whatever happens next.

Find out more about Poets in Schools and make an enquiry.

Helen Bowell

Helen Bowell is The Poetry Society’s Education Co-ordinator, and runs both Young Poets Network and Poets in Schools. In her spare time, she is a co-director of Dead [Women] Poets Society, resurrecting women writers of the past.