Nikita Gill: Slam!


All poetry is real poetry.

Walk into a room and ask anyone for their definition of poetry.

No two people will be able to give you the same answer. Poetry’s

become the fastest growing art form in Britain and that isn’t just

from traditional poets or from printed collections. It is in no

small part due to the resilient and powerful work of performance

poets and spoken word artists.

When I write poems, I approach the mediums I place them

on with equal importance – whether I put them on a blog, on

Instagram or submit them to literary journals. It never occurred

to me that posting my work in a certain medium would mean I

would then be defined by that medium. This is why I find such a

kinship with performance-based poets.

To define a poet who performs their work as a ‘slam poet’,

and to suggest that ‘slam poets’ aren’t ‘real poets’ is a myopic

misrepresentation of the work they do. There is no such thing as

slam poetry – simply poetry that works in slams. There are no slam

poets, only poets who, with immense craft, have the added the skill of

performing their work in a way that enthralls an audience. One

kind of poetry is not superior to another due to the format it is

produced or shared in.

For years, poetry has been misconceived as an area of elite

literature which is for the privileged few to craft, learn or teach a

certain way. It has been sequestered to the classroom as something

that made us groan as we studied and peeled layer after layer off

Milton’s work in an attempt to understand just what he meant.

But what if there was a different version of poetry? What if we

let it out of the classroom and put it on stage? What if poetry is

remembered to be what it is: the language of fire, fury and freedom?

What if, and bear with me, poetry was for everyone again?

This is exactly what performance poetry is about. It reminds us

of the revolution poetry incites. People from all walks of life flock

to venues or YouTube to watch their favourite poets perform on

stage, using language they can relate to, incorporating humour with

tragedy in an almost Shakespearean way. Slams are an inclusive,

open space, giving poets from under-represented communities a

supportive environment to share their truth, and presenting it in

a format so easily accessible and unpretentious, that people who’d

never engaged with poetry before are finally able to

Slam!, the anthology curated this year, is a manifesto for

change in many ways. It is a manifesto for performance poetry,

the craft and beauty of it and the way it resonates with millions of people. It is a manifesto for

poetry itself, as poets are natural truth-tellers and bring us face

to face with honesty in a time where fact is being dismissed for

opinion. It is a manifesto for compassion and how important it

is in a world that is ever more divided.

The poets in this book are awe-inspiring. Their work is

transcendent, both on the stage and on the page. Without them,

poetry would not be what it is today: empowering, immensely

emotive, approachable, wise, humorous – and all of this whilst

being stunningly and thoughtfully constructed.

As it has been said by our ancestors in

art, let the work speak for itself. After all, poetry is not a luxury,

certainly not in the world we

live in today. It is a war cry – a battle song. And you’re gonna

wanna hear this.

Nikita Gill

Nikita Gill is a British-Indian writer and poet living in the south of England. With a huge online following her words have entranced hearts and minds all over the world. She is a passionate advocate for poetry in all forms and her collection of rewritten Fierce Fairytales along with her latest book of poetry Wild Embers have taken the world by storm.